The Creative Process, Parts 1 - 6

As an artist, I’ve been fascinated by the amount of material that has suddenly blossomed about the “creative process.” Not only is it impossible to open my email without a barrage of “7 tips for boosting your creativity”-esque clickbait, there are now journals to help you along, Tarot cards to spark ideas, collections of inspirational quotes, coloring books up the wazoo, and all sorts of stuff I’m probably forgetting. 

And what always fascinates me is how little any of it helps when I sit down to actually work. The most they can offer me is solidarity; a “hey, it’s hard for all of us, isn’t it?” reassurance that’s handy to have in the back of your mind, but completely useless when trying to figure out what to draw and how to draw it. Perhaps for that reason I’ve always been more consoled by works like Isn’t It Romantic?–the brilliant 2011 David Rakoff essay where he describes in beautiful, agonizing detail the process of how a day devoted to writing will so easily go from “Pregnant with Potential” to “Freighted with Failure,”–than I am by encouraging posters. 

This is not to say I think less of the people who find books or journals about creativity helpful. It’s easy to roll your eyes at titles like “Unleashing Your Inner Something-or-Other” (and I may gently mock them in my cartoons now and then) but if someone feels as though they finally have “permission” to draw or paint thanks to a book, or a think piece, or even a wine and paint class, only a churl would begrudge them for it. (Besides, the fact that adult coloring books are a thing now can only lead to more jobs for artists and illustrators, so I’m sure as hell not complaining.)  

My Creative Process series adds to the pile of these guides, but without offering any useful advice whatsoever. The goal is just to show what it’s like for me, and, because I’m not particularly unique, what it might be like for other people. I finished it last spring but never got around to posting it, so Parts 1 - 6 are below: